Martin K(nife) Blackwood (
curriculum_fictae) wrote2020-08-23 08:44 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
[PSL-Adjacent] time travel side story
[ Is this part of the other PSL? MAYBE ... tbd.
But - this is the Martin who went back in time to the second season, before everything really started going to hell. It hasn't been the most pleasant ride - seeing himself, accidentally triggering Not-Sasha's attack, the confrontation with Elias - but it's been better. He'd begged Michaelen not to take him back for multiple reasons. Yes, he thinks help more here, but ... he also doesn't want to go home to die. Not when there's a Jon here who's willing to love him, when Tim is blossoming into a new best friend, and even Martin is slowly moving towards self-acceptance in a literal sense.
For the first time in months, Martin - no, Algric - sees the shape of what a peaceful life could be. This could be a world where he lives in Jon's flat for the rest of his life, where he doesn't only have to be a helpful ghost. The Lonely is still too strong in him, but he feels it weakening in spots, where Tim and Jon and Martin have all helped him remember what it's like to have human connection.
That's why he's here at Hilltop Road. He dares to hope now; he dares to consider the possibility that he might get to keep all of this. And if he wants to keep this, he has to make sure there's no way back to the hell he left. Michaelen's appearance had scared him more deeply than he wants to let on.
As he mounts the steps to the rickety old house, Algric takes in a shivering breath. It's fine. It's fine, this is fine, he's just - just going to look. And if there's a creepy basement with a crack in the world, he's not going to go through it! He's just going to. See if it's there or not. If he thinks his timeline is on the other side or not. ]
But - this is the Martin who went back in time to the second season, before everything really started going to hell. It hasn't been the most pleasant ride - seeing himself, accidentally triggering Not-Sasha's attack, the confrontation with Elias - but it's been better. He'd begged Michaelen not to take him back for multiple reasons. Yes, he thinks help more here, but ... he also doesn't want to go home to die. Not when there's a Jon here who's willing to love him, when Tim is blossoming into a new best friend, and even Martin is slowly moving towards self-acceptance in a literal sense.
For the first time in months, Martin - no, Algric - sees the shape of what a peaceful life could be. This could be a world where he lives in Jon's flat for the rest of his life, where he doesn't only have to be a helpful ghost. The Lonely is still too strong in him, but he feels it weakening in spots, where Tim and Jon and Martin have all helped him remember what it's like to have human connection.
That's why he's here at Hilltop Road. He dares to hope now; he dares to consider the possibility that he might get to keep all of this. And if he wants to keep this, he has to make sure there's no way back to the hell he left. Michaelen's appearance had scared him more deeply than he wants to let on.
As he mounts the steps to the rickety old house, Algric takes in a shivering breath. It's fine. It's fine, this is fine, he's just - just going to look. And if there's a creepy basement with a crack in the world, he's not going to go through it! He's just going to. See if it's there or not. If he thinks his timeline is on the other side or not. ]
no subject
Then he takes out the little burner flip phone. ]
Right. Texting a message on this is kind of a pain.
no subject
[Man how weird would that have been.]
Did you want some tea or... Something in the meantime?
no subject
[ He seems delighted by the thought. ]
no subject
[If it means he gets to not sit here and get anxious while Algric types that message out on the slowest phone imaginable.]
What kind?
no subject
There's - there's a nice rooibos in there.
no subject
[He hops right up to work on that.
But the problem is, he wants to know what Algric tells them too. How will they react? Gah. Damn his paranoia.]
I'll - Let you do you own milk and sugar. [That's polite, right?]
no subject
[ Milk and a little honey. ]
no subject
So, soy milk and a little cinnamon? My.
no subject
Jon, please.
no subject
[And he'll get to work on that.]
no subject
[ He beams after Jon for a moment, utterly lovesick. And then turns to his phone to text ... well. Jon. ]
Are you awake?
no subject
Yes? Something wrong?
no subject
[ How to explain this ... ]
The you from my timeline found me.
no subject
.
. ]
What?
no subject
no subject
From before he died?
no subject
no subject
no subject
no subject
no subject
I don't want you to get hurt. Like I hurt Martin.
no subject
Then he's further along than I am.
All right. You said he came through Hilltop Road? Case 0092204?
no subject
[ So, so much further, Jon. You have no idea. ]
That's right. That awful house. I found him lying on the floor of the basement.
no subject
What now?
no subject
[ His expression goes utterly soft as he looks down at his phone. ]
I think I'm going to stay with him for a while, though.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...